I shot this dark movie in Steve Hoy’s trailer in Tennessee.
I was laying in the outline of a head and fussing with trying to get it right but I couldn’t when it dawned on me that I should always be painting the whole thing at once. I moved on, addressing the whole instead of beating up the parts and I had much better luck. I already knew this.
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Some things, and some people never change. Steve Hoy, to me, is one of them.
That could have been a snippet of conversation in Bloomington, almost four decades ago.