We were at my brother’s house outside of New York in late 2009 and planning to take the train into Manhattan and then eventually out to Duane’s place in Brooklyn. I was reading the NYT over coffee. (My brother makes it strong, so strong one of my other brothers had an anxiety attack down there.) I spotted an Roberta Smith penned announcement for a show at the McKee Gallery of Philip Guston’s Small Panels, paintings he did between 1969 and 1973 when he switch from the abstract to figurative. I was ecstatic. That was a while ago but I am still ecstatic about these paintings and they are still up at the McKee site. Be sure to click though on the enlargements for even larger enlargements.
Pete Monacelli, who has been helping us with our project, has been creating work that explores the the connection between a a small group of the abstract expressionist and the spiritual realm. Pete mentioned that Guston is in that group but he said he didn’t know that much about him.There is no book on the Small Panels so I went to Amazon to order a book I thought Pete would like called “Philip Guston: Roma.” I bought it for 29 bucks or so but it’s now 225 And the retrospective book I have is just gone! Oh well, just gonna have to savor the McKee website.
Guston painted the KKK while he was living in LA. They were active there and didn’t like Jews any better than blacks. When he returned to figurative work the hooded figures became stand-ins for bumbling humans of all stripes including himself. I love how animated this conversation (above) looks even though we can’t see their faces. He is my favorite painter but then I have probably said that before.
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Love this. Always wondered where the KKK imagery came from. Guston has been speaking to me since his retrospective out here in SF in 1980. You might be interested in this from that last show: A film crew who were shooting a documentary on Guston followed the family as they made their way through the exhibition. When asked about his change of style, Guston replied “You know, comments about style always seem strange to me – ‘why do you work in this style, or in that style’ – as if you had a choice in the matter… What you’re doing is trying to stay alive and continue and not die.” (MM213)