Who would go to a documentary about Sol Lewitt at two in the afternoon on the warmest day of the year? Well, we would. The screening is another installment in the series of events surrounding the “Minimal Mostly” show at R1 Studio.
The movie had a maximal amount of substance, much more than Wednesday’s lecture at the gallery. Although I really enjoyed MAG director, Jonathan Binstock’s, take on Ellsworth Kelly’s work, a brilliant distillation launched by the Kelly prints in Deborah Ronnen’s show. He said “sometimes I feel like I could round up all the art in my house and replace it with one Ellsworth Kelly because his work is the essence of art.” Peggi and I had just seen a show of Kelly’s last paintings in Chelsea and I knew exactly what he meant.
The Sol Lewitt movie was insanely beautiful.
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