It was very gracious of Bobbie Henrie and the Goners to host a Buddy Holly Birthday Bash at Abilene but as good the guests are in their own rite (the Bradleys are great)they can only diminish the lean, rock ‘n roll of this well-seasoned trio. The Goners are a treasure and in their minimal trio setting their rough edges are a feature. And they only have rough edges because the three great musicians are always reaching. Punk rock didn’t invent anything, it just brought these qualities back. The Goners never left.
Leave a commentColors Of A Dream
We’ve seen/heard Tom Harrell a few times at the Jazz Fest and once at the Exodus to Jazz Series. Each performance was outstanding. He writes beautiful melodies and surrounds himself with sensational players, real pros. His “Colors of a Dream” sextet, who played last night in the auditorium at Hochstein School of Music, had two bass players, Ugonna Okegwo and Esperanza Spalding, a star in her own right.
I loved drummer, Johnathan Blake’s playing. His father, who just died a few days ago, played violin on Archie Schepp’s “Attica Blues.” And I love his setup. You can see it in the enlargement of the photo above. All the drums and cymbals are are aligned horizontally. We played a gig with the Romantics when I was with New Math and their drummer set up the same way.
1 CommentEnd Of The Earth
We been sifting through Margaret Explosion songs this summer trying to cull a cd’s worth from a batch of starred live songs. There are a hundred songs in the folder, almost too many to listen to but we have been giving it a go.
Even though we’ve put songs online, for free, for years people still want to buy cds. Maybe it’s our demographic, maybe it’s just part of seeing a band, dropping some cash in the tip jar and taking something home. Peggi and I checked the dates on our products and we seem to be putting something out every five years or so, a modest pace. This one’s been on the site for a few months. Do you think anyone would buy it?
2 CommentsUnlocking The Truth
The next generation is secured.
Leave a commentJohnny Harmonica
An older man who lives about a block away was out near the road when we peddled by on our bikes. He had an armload of sticks that had fallen in the rain. (We had four inches according to Jared’s rainometer.) He asked if we needed any sticks, a question meant to be funny, but one we both considered. We collect our own sticks and keep them in barrels. We use them as kindling to get fires in our wood stove going in the winter months. He asked, “What are your names again?” as if we had been introduced but we have only waved to one another over the years.
He told us his name was John and some people call him “Johnny Harmonica” because he plays the instrument in a band. In fact they had a gig that afternoon at Saint Ann’s Home. He said he doesn’t do his own lawn anymore, hadn’t mowed it himself in five years, and the service he has charges him extra if they have to pick up sticks. Johnny said his lawn is mostly weed grass now and he doesn’t care. He’s ninety-four and says, “I used to fuss with it but it’s green and that’s all that matters now.” He said he is never sure whether he has even eaten breakfast so he checks the sink and if he finds dirty dishes in there he knows he has eaten.
We told him we played instruments too and his eyes lit up when Peggi told him she played the sax. He said he played in a big band, one with a sax and violin player, and he uses a pickup so he can be heard.
3 CommentsLook Out Below!
It is so good to see Kevin’s blog come back but so sad, the circumstances. Tommy Ramone was a great drummer. He cut out the crap and nailed the tune. He made the Ramones sound fresh and pop. Too bad for everyone that radio wasn’t ready for them. Now that all four original members are dead you can hear the chorus of a song Tommy wrote every night at Red Wing Stadium.
In 1977, when the “Do You Wanna Dance/Baby Sitter” single was released, the Ramones played the Penny Arcade and the leading rock station here, WCMF, printed t-shirts for the bartenders at the Penny Arcade to wear that said, “Punk Rock Sucks.” Like they would know what sucks. I got this sleeve signed by the band that night. They were unbelievably good.
I learned quite a bit learned quite a bit from Tommy. The band I was in did a few Ramones songs. I can’t remember which ones. Even though I had loved The Voidoids drummer when I saw them in in New York, I was bummed when Marky replaced Tommy. Long live the Ramones.
1 CommentSoccer As Jazz
Our friend, John, sent this artfully composed email in response to my “Ole” post below.
While trying to find the vid of youse guys as jazzfest aficionados, I read your Soccer as Art piece.
I can see the comparison when expressed through your artist’s eye. But not having done painting myself, I never experienced it like that. This probably applies to a majority of the readers.
A painting leaves you with a static product the can be visually enjoyed over and over. But the game, like the jazz piece, is a snowflake never to be repeated.
But something I have done many times, and this could apply to most all readers, is that the game can be experienced as a piece of music. And jazz seems to fit particularly well.
The participants are many, like the players in a jazz ensemble, with many watchers / listeners … not just the others players seeing the opposing team’s play unfold, but the fans watching. Notice, both the soccer and the music participants are called ” players “!
When there is a break in the action, there are set pieces / plays, like a melody, to restart the play. But within a few bars / passes , the play is off in it’s own direction.
Then there is the triangulation formation, with three players passing the ball / notes around. Sometimes, just two players are making the play with all the other participants providing the background music / movements.
Of course , there is the ever popular “solo ” with one person making a run towards the goal. Everybody loves a good solo now and again.
Then we have the vocalizations of the players keeping each other informed as to what might be unfolding out of eyesight. This ” scat singing ” is especially musical when done in a foreign language giving the illusion of the nonsensical vocal notes that is scatting heard in jazz.
The wild psychedelic colors of the uniforms swirling on the field provide the “light show”!
Finally, a particularly festive run to the end of a song, the goal, gets the audience on their feet applauding and hooting’ and hollerin’.
What a great piece/game that was.
One last observation.
Seems fitting that jazz is more popular in Europe, as is Soccer/futbol! Combine this with the fact that hyper speed data transmission is a given to Europeans . The multi-level, continuously evolving, higher intellect of the ethernet mirrors the same qualities attributed to soccer and jazz.
I’m still rooting for the good old USA team, but for now, the Europeans are beating us. And we love to root for the underdogs.
Leave a commentRadical Pigs
Getting from the Lutheran Church to Xerox Auditorium was rough with George Thorogood and the Destroyers playing in the middle of the street. We stood behind some guys wearing “Radical Pigs” biker gear for part of “Who Do You Love,” the part where festival promoter, John Nugent, played sax, and then got on with it.
My favorite act of this year’s jazz fest was the Norma Winstone Trio at the Xerox Auditorium. Like Peggy Lee she and her trio were quite exotic and intoxicating. My favorite song from her performance last night was one of hers called “Dance Without Answer.” They record for the ECM label and I tracked down a live version the song here.
Last night’s notes start here.
First day of this year’s Fest starts here.
Telstar
I would loved to have been able to see Heather O’Reilly play tonight against the Flash but then I would have missed this.
We queued up for Bill Frisell’s “Guitar In The Space Age” at Kilbourn and ran into our jazz buddy, Hal, who was recovering from a sports injury. We compared notes on the upcoming acts and broke into the dinner we had packed. Hugh from Nod was up from Utica and in line ahead of us. The time went by fast.
Kenny Wollesen was on drums. Tony Scheer, who has played with everyone from The Lounge Lizzards to Willie Nelson, was on electric bass and Buffalo native, Greg Leisz, played pedal steel and additional guitar. Frisell’s idea of guitar in the space age is decidedly American. We probably do have more junk floating around up there than any other country. The band toyed with Western swing with Hawaiian touches, a two-beat Americana thing, the Kinks “Tired of Waiting,” something funky that sounded a bit like “Mustang Sally” or “Walking The Dog,” Leisz sounded fantastic on slide but he switched to guitar for the middle of the set and that somehow managed to dilute what we came to hear. Brian Wilson’s “In My Room” was rich, “Telstar” was perfect and their version of “Surfer Girl” almost made me cry.
“I tell you this every time I play here. They wouldn’t let me in this school,” Frisell said, from the hall in the eastman School of Music. “45 years later I come back playing surf music to a standing ovation.”
Last night’s notes start here.
First day of this year’s Fest starts here.
World Cup 1, Jazz Fest 1
Kind of strange cheering for the US as they lost but advanced.
The two tone building here is right next to the former Midtown Plaza. There was a building adjacent to the great wall that is long gone, a nightclub called the Rathskeller, I think. Bands played there and you used to have go down some steps to enter. Long gone like most of the city core, but coming back. Jazz Fest provides some interesting urban vistas.
High Tech Rochester’s plan to put twenty million into a Business Accelerator Cooperative downtown is the best news I’ve read about downtown in bit.
I’m keeping note on the jazz fest over here.
1 CommentOrange Bronco
I guess they still make Broncos but not like this one. OJ sort of damaged the brand for a while with that Warhol-movie-like, slow speed chase.
We found four golf balls today without even trying. We never left the path to comb the underbrush like I used to do before the engorged tick incident. They were just laying out there in plain sight on the path as we skirted the course.
I’m keeping track of the Jazz Fest over here.
Leave a commentWe Play The Painting
A lot of people are afraid to sit in the front row. If it was a Suicide or a Contortions show I would be afraid too. They used to scare me but I loved it. We took seats in the front row of Xerox Auditorium for the Belgium big band, Flat Earth Society,
and tried to guess how many members would be in the band. The stage was full of equipment and music stands. We guessed ten and it turned out to be 14. The drums and bass were front and center flanked by guitar and keyboards and the horn section ran all across the back. FES is a wackier, more rambunctious Willem Breuker Kollektief. Never mind the movie. This is vivid, action-packed, cinematic, soundtrack music. They introduced a song called, “Broadway Boogie Woogie,” saying (with a Belgium accent) “We play the painting.”
Shai Maestro Trio was highly recommended to us by a couple that we only see at Jazz Fest each year. The band was at the Rochester Club at 10 but we couldn’t hang in there so we came home and listened to Shai Maestro on YouTube. We should have gone. Tonight we have a legit excuse for missing out on the early end of Jazz Fest. USA/Portugal. I’m keeping track of the Jazz Fest over here.
1 CommentI Used To Chop Parsley
We don’t have any Mary Gauthier music but then everybody has YouTube so we watched a couple of videos. “I Drink” kicks ass and “Mercy Now,” in the same vein, sounded good so we headed out to the Lovin’ Cup to check her out. We were hoping she would be playing with the violin player from the video but that didn’t happen. Still Mary holds her own. She’s a real pro and part of the Nashville establishment now having just performed at the Opry. She has her work cut out for her to outdo “I Drink” but then, don’t we all have our work cut out for us?
Someone behind the bar was making a racket during her encore, “Mercy Now.” I was thinking it sounded like a woodpecker. Mary stopped the song and said, “I used to chop parsley.”
Leave a commentMy Favorite Book
My math scores on the SATs were about twice my verbal scores. I am visually oriented. My favorite book is only 20,000 words long. In fact the title of the book is “20,000 Words.” It’s a dictionary without definitions and an old-time, invaluable resource for those who can’t spell. Me.
I love looking at the phonetically hyphenated words. Kilo-watt, knee-high, knight-hood, la-dy-bug, la-goon. And it is still a perfect resource for naming instrumental songs. I used it last night to come up with “Hard Boiled.” The photo that we used for the cover is one that went off while my camera was in my pocket. Somehow it found this amazing red light.
Each Margaret Explosion show is different but we’ve been closing in on this melody for the last few weeks. You’ll hear it stated here about a minute and a half into this song from last week’s performance. The bass clarinet plays variations on the theme and the guitar beautifully crystallizes it while the double bass carries the tune. The band is on a roll, as usually happens at the end of a string of shows. We hope you can stop out tonight for our last show in the Little Theater Café until Fall.
2 CommentsMeet The New Guys
They painted the walls in our Creative Workshop room. I’m not crazy about the yellow tint but it does set the unframed drawings off. The drawings I bring to or do in Fred Lipp’s class are not done until Fred says they are done. Fred often tells the story of a student who titled his finished painting “Done.” These three were pronounced “done” last night.
Margaret Explosion plays tonight at the Little Theater.
2 CommentsFake Review
We hadn’t quite finished this morning’s paper when Alice and Julio called from a nearby Best Western hotel. They were back in town from Maine to see a play and visit old friends. Hours flew by as the talk veered back and forth between art and Spain. And then back to the paper.
A review in the Art and Leisure section of the Danny Fox Trio caught my eye, a reference to chamber jazz and Duke Ellington, so I called up a sample on my iPad. The front page of their website said they were playing on the 18th at the Bop Shop so I checked the date. It was today and they were to start in ten minutes. We hopped in the car.
Turns out the drummer is from Brighton so it was one of the best crowds I’d seen at the record shop. I sat up on a counter. The piano player writes beautiful tunes with plenty of room in the arrangements for the bass player and drummer to bring them to life. They were a joy to listen to.
We talked to the piano player after the gig and he told us that for fun he used to write fake reviews of the band in the critic, Ben Ratliff’s, style. And guess who reviewed his band today?
Leave a commentHit Single
We still have a stack of 45s, a foot and a half tall black column of them, sitting next to our stereo. Most of them are Peggi’s and one with her friend, Chris Firth’s name on it, Bobby Darin’s “Nature Boy” is still on the top of the stack. We played it at our 45 party on 4/5 and we played at two in the morning last night when our friends, Pete and Shelley, were getting ready for bed. Both times it skipped after the second chorus but I can’t get the song out of my head.
I know Andy had some sort of falling out with Greg and the Chesterfield Kings are history even though the two live next door to one another but their new book is a smash! Greg is is happy and moving on and he seems to be in good graces with the House of Guitars again. That seems right.
Andy has a new group, the “Empty Hearts.” Steve Van Zandt came up with the name and they (Clem Burke from Blondie, Elliot Easton from the Cars and Wally Palmer from the Romantics) recorded an album in Rochester. “Ed Stasium produced it and I’m having a hard time getting this song out of my head too but it’s not as good as Nature Boy.
Leave a commentBloggers Law
I thought I would read a bit more about Putin’s new “Blogger’s Law” before I risked speaking my mind but as I typed “Putin” in Google I was prompted to check out “Putin’s girlfriend” and I never got to the law so here goes.
When I was building homes as a “rougher” we built three types of homes, split levels, ranches and center entrance Colonials. Oh and there was this thing called a “raised ranch.” These “Domas Homes” were in a new development off Lyell Road. They were cheap and probably didn’t age well. In case you don’t know what a rougher is, some people call them framers, they build the basic wood structure and get out before the “finished” carpenters move in. When I first started as a rougher I hollered out a measurement to my boss, Salvatore Caramana, something like “62 and an eighth.” And he hollered back, “An eighth? I can’t see a fucking eighth.”
Anyway, we didn’t build any Quonset huts. They look like something they might have in Russia.
Here is a Contemplation from last week’s gig.
4 CommentsPre Verbal
My parent’s realtor recommended the Bethel Church as someone who could take the remainders from last weekends’ garage sale so I called Pastor Jack and arranged to meet him at my parent’s old house this afternoon. He was going to round up a crew but that must not have worked out. The crew consisted of his wife so in three hours we were able to fill his truck and flatbed trailer with remainders. I have no idea what the church does with all this stuff but they will take almost anything. I’m meeting them there tomorrow morning for a second load. Praise the lord.
Stephan Crump, bass player with Rochester native, Vijay Iyer’s Trio, brought his hard-grooving all-string Rosetta Trio to the Bop Shop tonight. Featuring guitarists Liberty Ellman and Jamie Fox the trio leaves plenty of space for the bass maestro while the guitarists work their magic. This was close your eyes and get transported stuff, achingly beautiful, melodic and rhythmic as hell. Crump knocked us out with a pretty number called “He Runs Circles” from his new cd which was inspired by his four year old’s pre verbal method of showing affection.
Leave a commentRecord Hop
Joe Tunis was holding court at Needle Drop Records when I stopped in on Saturday morning. He had already delivered the goods to our house a day before Record Store Day, the new, one sided Nod lp that we had preordered from Carbon Records. Joe Sorriero’s vocals are front and center and the band is in an acquired taste pop mood. I love it.
We were scheduled to gallery sit at I-Square and when our shift was up we walked over to the House of Guitars to pick up a copy of Armand’s 10 inch, “God Made The Blues To Kill Me.” After a lengthy blues rant things get really interesting with a war monologue over drums, guest Viet Nam flashback from John Bartles and Vietnamese lyrics. Personal Effects/Colorblind James bassist, Bernie Heveron, holds down the groove.
Record Archive was packed and they had more Record Store product than anyone in town. I picked up a rollicking live lp by Jacob Fred Jazz Odyssey, a favorite of ours from the Rochester Jazz Fest. My final stop was the Bop Shop where they were serving beer and Brian Williams was playing with back to back bands. Dan Hanley from Magna Carta gave me a copy of a double disc Terry Bozzio lp, a reissue of a cd that I did the cover for. I put money down for a Sun Ra lp which had nothing to do with Record Store Day, a 1965 recording like the Strange Strings sessions where group members play instruments outside of their comfort zone. Long live Sun Ra!
1 Comment