Willem Breuker Kollectiief at the Bop Shop, November 6th, 2008
Willem Breuker Kollectief played the Bop Shop Atrium last night and this time they had Willem at the helm. He was recovering from an organ transplant last year when his band played in the same place on the same date.
That coincidence coincides with another. One of my first blog entries here was on last year’s show. It was impossible to get all eleven band members in one shot. This is a big band with big orchestral ideas and perfectly executed small ones like funky circus sounding pieces. They are a pure delight.
My ears are still ringing from rehearsal last night. We played for three hours but still didn’t get through the forty-five minute set we plan on doing at the Scorgie’s reunion. Peggi is playing her Farfisa and relearning the chords to the songs she wrote. And she ordered a new Electro Harmonix PolyChorus from Sound Source so she can do the crazy sax parts in “Low Riders” and “Love Never Thinks”. Rob at Sound Source told her they’re still making the box because Kurt Cobain loved it. It looks exactly like her old one.
We ‘re watching he World Series and rooting for the Phillies but they can’t seem to get anything going tonight. I really like the Lincoln MKS commercial with Cat Power doing Bowie’s “Space Oddity”.
I had a hard time starting our chainsaw and I pulled the rope so many times that I broke it. I took the case apart and got at the spring where the rope is supposed to start. I was trying to thread what was left of the rope back into the tiny hole when our neighbor, Leo spotted me out front and stopped by to see what I was up to. He said he had some new rope so we went down to his basement to cut off a piece. I got all put back together and cranked away but still couldn’t start it. Rick from across was walking his dogs and he stopped by to say hi. He told me it might be the spark plug so I took the top off and removed the spark plug so I could sand the point. I was still trying to start the damn thing when Jared, our neighbor from down the street, walked by and got involved. He suggested that I clean the air filter and then spray some Quick Start fluid in there. We walked down to his house to get the spray can. Jared determined that it was flooded and I probably flooded the thing at the start by pumping that prime button too much. It finally started but my arm was sore as can be. I only had a few minutes to saw before John Gilmore and Bob Mahoney stopped by for dinner.
We all headed out later to see/hear the Varnish Cooks at Abilene. Too bad the bands have to play insde in this weather. It is almost impossible to hear the band or juke box when the small bar is as crowded as it was last night but it was still fun. Danny took us upstairs for a quick tour of the swanky lounge up there. I tried talking him in to letting Margaret Explosion play up there when we split the night with Nod on Thanksgivig weekend.
Paul Dodd painting entitled “Model from Crime Page” 2008
Our painting teacher, Fred Lipp, is really much more than a painting teacher. And I don’t say that because he is also an extraordinary artist. He is a fly fisherman too but I have no idea what his skills are in this area. He is more than a painting teacher because his methods for teaching painting can also be applied to living your life. Last night in class I heard Fred give advice to a woman who was painting near me. He said, “Paint it as a whole, from start to finish”.
Say you are heading out for a drive. You might have a destination and you might even use a map. But if you really want to enjoy the ride you may decide to take a detour or a side trip or forget about your destination altogether.
“What we’ve heard is so disturbing It takes time to settle in Our destination doesn’t matter This is it… life hereafter” – Personal Effects, “This Is It” LP, 1984
I’m trying to connect the dots here. I devoured an article on Elizabeth Peyton’s “Live Forever” show in Friday’s New York Times and then started a new crime face painting on Monday. I sketched a guy that sort of looked like a woman and in fact I switched the situation in my mind and thought I was sketching a woman that looked like a man. The people in class thought he was a man and Maureen Outlaw told said he looked like me. When Peggi saw the painting she said, “I like him”. I said, actually it’s a woman and I reached for the Crimestoppers page that I used for my source. His name turned out to be “Jeffery”. I had played up the lips like Elizabeth Peyton did in her portrait of Kurt Cobain and the clothing was loosely painted like her portrait of Piotr Uklanski. My crime guy was thin and more youthful than the source. He looked like a rock star.
We watched the “Life and Times of Frida Kahlo the other night and I was knocked out by how beautiful and exotic Frida Kahlo was. This documentary was so much richer and more interesting than the Frida movie. Frida Kahlo was her artwork. She lived her artwork and painted the whole from start to finish. I have no idea what Elizabeth Peyton is like but I love her work.
While I was applying paint to my sketch of this crime guy and developing his attitude, it suddenly became clear that each move was not helping so I stopped. I was painting the whole from start to finish and this was the finish but I didn’t recognize it at first. The finish could come at any time regardless of my plans. I should live my life this way and then painting would be a breeze.
Amy Rigby and Wreckless Eric in Rochester New York
Wreckless Eric and Amy Rigby were about a half hour late showing up for their gig at the atrium in Village Gate. It seems the shows usually start mercilessly on time at this venue so we were happy to be on the same schedule as Eric. And it was Eric were here to see. Our friends and neighbors, Rick and Monica, were here too but it was Amy Rigby who got them out of the house. It was funny to see the folky/singer/songwriter crowd mixing with the punky/oddball crowd. And these guys pulled it off.
Eric wanted to be home and who can blame him. They live in the south of France. They started with an anthemic call to “Keep driving until the wheels fall off”. These two are clearly in love so one of the lines was, “When we’re driving together, at least we’re a little closer to home”.
Eric was most entertaining between songs when he just ran away at the mouth. They had played in Canada the night before and he told the crowd, “Canadians are the most unvulgar people I have met in my life. You people, on the other hand, look quite vulgar to me”. Matt, who records most shows for the Bob Shop, had his black mannequin head with binaural mics set up down front and Eric thanked the head for showing up. They had been in San Francisco and Chris Wilson from the Flaming Groovies came out to see them and told Eric that Cyril Jordan was a fan of Eric’s. He was quite blown away by this.
Amy is Eric’s biggest fan and she laughed heartily at all his nonsense. She sang some great songs as well like the one with the refrain, “Last night I was dancing with Joey Ramone”. I played drums for a while with another couple, Mary and Jon (Gary), and Amy reminded Peggi and me of Mary.
Eric and Amy rocked fine without drums and certainly didn’t need the cheesy little drum machine they used on a couple songs. They tore it up on “Kilbourn Road”, “Take The Cash K.A.S.H.” and “Whole Wide World”. They played for over two hours and seemed to be having a ball. Amy said this had been the best crowd of their tour.
Margaret Explosion at Little Theater Cafe in Rochester, New York
John Gilmore brought a Wegman’s precooked chicken over for dinner last night. We had a salad and some salsa waiting for him but the salsa was too hot for John. We gobbled it all down and raced off to the Little for our last Margaret Explosion gig until November. We’ll use our down time next month to rehearse for the Scorgies Reunion gig. Haven’t touched most of that Personal Effects material in twenty years.
Bob Martin was out of town last night so we played with Jack Schaefer. We got through the night without doing any songs and that is usually a sign that there will be some magic on the recording. Paul Brandwein was there to hear the band and marvel at his art on the walls. We had just seen him at the Billy Bang show on Monday. Mick Sarubbi was there with his mono recording rig set up. That’s his mic in the foreground of this shot. Here’s our recording of one of the tunes from last night. We’ll have to A/B it to Mick’s.
Back home we checked out the photos that John Gilmore took at the Little while iTunes shuffled away in the background. Patsy Cline’s “Does Your Heart Beat For Me?” leveled me for some reason. Does that old stuff really sound better? Is there such a thing as progress or just passage? Like Irene (Palermo) Baurschmidt told me at our reunion, “We’re getting old, Paul”.
Dreamland Faces ignores these issues and plays timeless music. They’ll be playing saw & accordions tomorrow night while Jenn Libby projects some films at the Visual Studies Workshop – 8PM. Pick up a copy of their new BROWN HORN instrumental record while you’re there. I will be entertaining my mother-in-law.
I used the 25 dollar B&N gift certificate that the class gave me for being on the reunion committee to order the Marlene Dumas book, “Measuring Your Own Grave”. The book is a companion piece to her upcoming show at MOMA. She is my favorite living artist.
We have been lucky to see Billy Bang so many times. We first saw him at Red Creek in the seventies when he was playing in Sun Ra’s band. He has played here three times during the Jazz Fest and Garth Fagan hired him to perform live for one of his dance pieces in Greece. Tom Kohn had him at the Bop Shop in the Atrium a few times with different line-ups.
The lineup tonight at the German House was one of my favorite configurations – a trio called FAB with Joe Fonda on bass, Barry Altschul on drums and Billy Bang on violin. All three are amazng players and improvisors. In this setting Billy is as melodic as ever but the band is not just here to support Billy. This is an exciting three way street. We sat with Jeff Munson and took in the sights with our eyes closed.
Peggi DJing at WRUR With DJs Stan Merrill and Joel Rosenthal looking on.
Margaret Explosion played last night at the Little Cafe and we play one more time this month. Bob will be out of town for that one so we will either go as a trio or play with bass clarinetist/guitarist Jack Schaefer. We had pretty good gig last night and came up with few nice tunes. Margaret Explosion is off next month so we talked about getting together to rehearse for The Personal Effects reunion at the German House in November. We plan to go with The Margaret Explosion lineup and then get Martin Edic and Bernie Heveron and possibly Robin Goldblatt (all three former PE bass players) up for a song each. Should be a breeze.
We’ve been digging through old photos from the Scorgies days to post to the Scorgies site and we came across this one of Peggi on air at WRUR’s studios. I used to listen to her show while I worked downtown at Multigraphics. That’s Stan the Man and Rock n” Roll Joel marveling at her on air presence. This must have been around 1980.
New Math “Die Trying” cover under construction in 1978
I remember the waxer and press type and specing type and stats and rubber cement and benzine and the whole paste up process. And I remember doing the artwork for the first New Math single. I posted it all on the Scorgies site.
Sometimes, when I want to get to my blog, I type PopWars in Google and then click on the link it finds. There is a skate board company out there with the name but I got there first. Today I noticed a “Britpop” tag next to the return on the Google page. I think it has something to do with the StumbleUpon add on I use in Firefox. There is another Paul Dodd too. He’s England’s number one soccer hooligan. Not sure how I got labeled Britpop but I thought I would go with it.
“All sold out. Well I felt so free. It was just like that. I was put down flat.” I think the Stones may have reached their zenith with “Between The Buttons”. This album still sounds wildy adventurous to me and I am old enough to remember the Stones doing a song off this lp with cleaned up lyrics on the Ed Sullivan show. I love the cover photo and Charlie’s drawings on the sleeve. It’s more pop than blues and I think Brian Jones had a lot to do with it. And I love Charlie’s drawings on the sleeve.
Ruby Tuesday was ok but All Sold Out, My Obsession and She Smiled Sweetly should have all been hits. Can we go back and do it again?
Tumil at Durand Eastman Beach performing with Joe plus N
We rode our bikes down to Durand Eastman beach this afternoon to catch Joe Tunis as Joe+N at his fifth of six stops on his ninth annual day tour. He is seen here performing with his band Tumul. Cameron (on the left with the Miami Vice t-shirt) has real hair. Joe does too but his is short. The wig came out about a third of the way through their set. That’s Chris Reeg from the Blood and Bone Orchestra on the ground with the camera. The two bikes in this shot are ours. Cameron said he likes hiding behind stuff. The amps are battery operated. Joe from Nod was there. He told us he’s eating at Pasta Villa tonight. Bathers were just behind the bushes and there was a kid yelling for ice cream. His pleas were picked up on and sampled and looped.
A lot of the companies that we do website work for would die for the kind of traffic Julia Nunes gets. We have been trying to keep up with her by joining her YouTube channel so we get notified when she posts a new video. And then we get the embed source and put it on the front page of her website. But by the time we get to YouTube she has already had 20,000 views. Some of her videos have over a million plays.
Today she asked us to put a jpeg of her new cd on the site with a “Pre-order now and get an autographed copy” head. We did that and some work for another client and and then went down to the pool for a half hour or so. We came back to frantic emails and calls on both lines. We assumed the cd was ten dollars like her previous one but this one is more and they were getting swapped with orders already. How do you get swamped in a half hour?
I just spent most of this evening digging up Paper Faces memories to do an entry on the Scorgies site. I was signed in as Peggi, the administrator, so looks it like she wrote it. She is proofing it now on another machine.
Pete and Shelley kept us up til two last night or maybe we kept them up. I don’t remember. They left Rochester this morning with their new laptop and my old Kodak digital camera. They should be able to generate enough solar power up there to keep these two electronic devices going in the woods.
Peggi and I met the other members of Margaret Explosion at the Little Theater at noon. We were asked to be a prop for a photo in the cafe that will be used in an upcoming brochure. Were played a few improvisations while they set up the shot and then started talking about the upcoming Scorgies Reunion. We tried acoustic versions of Personal Effects songs, “Zeke’s Baby Girl”, “I Had Everything”, “Baby, Baby”, “Bring Out The Jazz” and one where Bob was playing “Porch” and Peggi was playing “Fascinating Game”. Ken didn’t really know the songs but he sounded great. It was the first time we had done these songs in twenty years or so.
New Math performing at the Orange Monkey in 1977. Robert Slide – bass, Gary Trainer – guitar, Paul Dodd – drums, Kevin Patrick – vocals, Dale Mincey – guitar
Tom Kohn from the Bop Shop asked 4D Advertising to develop a site for Scorgies, the old rock and roll club on Andrews Street. He is planning a reunion for November 21 at the German House and he wanted people to be able to share their memories of the place and the many bands that played there. I wrote this short little piece to to kick off the blog on that site and I’m throwing it up here to encourage people to contribute to the site.
Don Scorgie is obviously the key figure in this whole story but probably not in the way you might think. I don’t think he was much of a music fan at least not like I am or most of you are. When I first met him he was behind the bar at street level on Andrews Street. And that fact that he was on that side of the bar had nothing to do with who was doing the drinking.
I was playing drums with New Math at the time and we rehearsed around the corner in the Cox Building on Saint Paul. Geoff Wilson from the Bowery Boys was the elevator operator in this building in later years but it was pretty much deserted when we moved in. We got in the habit of stopping in Don’s place after practice for beer. I never drank too many because I had to ride my bike back home.
Don was sort of an old salt like Popeye the Sailor man. Being next to the river he had nautical theme going with rope railings and a fish net hanging from the ceiling that was just beginning to collect the Spanish moss style dust clusters that became such a fixture here. The guy who rented him the juke box when he opened this place was probably the one who picked out the 45s. It was just generic mid seventies crap. I think Kevin Patrick, who was working as record promo guy at the time, talked Don into stocking the juke box with the good stuff. In later years, it seems Danny Deutsch, who now runs Abilene, was in charge of the tunes and at some point it seemed like every time you walked into that place you heard Bobby Darin’s “Mack The Knife”. But it wasn’t Don calling the musical shots.
One night after rehearsal Don took us down to the basement at Scorgies where he had just installed the first section of green indoor outdoor carpeting on the step up section next to the bar. It was the first time we had set foot in what people think of as Scorgies. He had a few picnic benches down there and he told us he was planning on setting up an indoor putting green. This was going to get people down in the basement of a century old building? We laughed at the idea.
I remember us, and it was probably Kevin doing most of the talking, trying to convince Don that what he had here, an empty room with no chairs or tables, was the perfect rock and roll club. All he needed was a stage and a sound system. So Don built the plywood stage and he eventually rented a sound system from Mark Theobald. Mark mixed the bands if they didn’t have their own guy. New Math was the first band to play here but I had already left the band at that point and was playing with the Hi-Techs.
This is just the way I remember it. That doesn’t mean this is really the way it went down.
Poster for HI-Techs and Prestones at Scorgies in Rochester, New York on 04.07.1981
There’s a Press Tones show tonight at Abilene. I don’t think we will make it but you never know. We are headed over to Bill and Geri’s to see the progress they have made on their tiled house. I see a lot of people cover their original wood siding with aluminum but not Bill and Geri. They have been slowly applying all shapes and sizes of colorful tile to the side of their house.
We worked on the Scorgie’s site for Tom Kohn today. Tom is planning a Scorgies Reunion show at the German House in November with some of the bands that used to play there. New Math, Personal Effects, Absolute Grey and The Press Tones are on the bill. We have been setting up a site for Tom that will hopefully run itself. People should be able to post stories, pictures, posters, mp3 files and videos to the site without 4D Advertising wrestling with all the little pieces.
Today we spent a good bit of the day getting this slideshow script to automatically size and post thumbnails without distorting them and also size and post larger files that can viewed in a Lightbox slide show. The Press Tones sent in a poster from one of their gigs that was actually a poster that I made for our band, The Hi-Techs. We played this date with them opening. I hadn’t seen ithe poster in a while.
It has been total Julia immersion for us working on Julia Nunes’s web site. She’s had thousands of hits while we set the thing. People were signing her guest book as we were installing it. We worked until six or so and then we headed down to the pool. It was beautiful there and relaxing. We watched for John Gilmore to drive by and when he did we went home to meet him for dinner. We ate on the deck and headed off to see Julia at Alilene. She was great. She did this song about breaking up with her boyfriend that had the line, “I’m going out to get my mind off you”. It was like an Irish drinking song.
I couldn’t hear her talking between songs (and that’s my favorite part) so I said, “louder”. I was standing next to Dick Storms and he seconded my suggestion, “This is an older crowd. We’re all deaf in here.”
I went up to Julia on her break and waited for an opening to say hi. She was surrounded by admirers. I said, “Hi Julia. I just thought I would say hi. I’m Paul” and she looked at me and smiled sarcastically sweet and went on talking to her friends. I had to interrupt her again to say, “Paul from the website.” And she asked if Debbie was around but she meant Peggi. So we met. We love Julia.
Phil Marshall Trio at WXXI Sound Stage in Rochester, NY
The Phil Marshall Trio may not really be a real band. The official name may now be “The Horse Lovers” but the players are the same and Phil’s songs are are just as sweet. Even the new songs feel like old friends and the players are old friends so their performance on WXXI’s “On Stage” last nigt was especially enjoyable. Ken plays a different kind o bass in Margaret Explosion and all three of these guys played with Colorblind James. My favorite part was when Jimmy Mac did the chain drop on his snare drum for the big beat during their minor key, revamped version of “America The Beautiful”. Phil’s song, “Walking To The Opera”, written for his late brother is a flat out beautiful. There is an acoustic version of it on Phil’s MySpace page. While you’re there check out Annie Wells singing, “Guide Your Sweetest Dreams”. Watch out though. There’s a few Phil Marshalls in the MySpace world.
Tar Box Ramblers at Abilene in Rochester, NY
We were traveling with Rick Simpson in John Gilmore’s car last night so the night was still young when the XXI show ended. We walked into Adeline as the Tar Box Ramblers were startig their second set. We got talking to Rita Coulter at the bar and then got sidetracked at the pool table where John Gilmore was playing the night watchman from the Little Theater. When we finally got out back the bass player had set aside his stand up bass to join in on drums. The woman doing the door told us that the band reminded her of Phil Marshall. She was right. They did a nice versio of “Good Night Irene”.
I started thinking about Marky Ramone and how I liked his angular playing in the Voidoids but didn’t think he could match Tommy’s succinct playing with the Ramones. That was pretty much a non-sequitur. Here’s another one. Did you know Ken Frank is a mean chess player and an enigma.
We are supposed to be over at WXXI today at 2:00 to get set up and sound check for the taping of Margaret Explosion’s segment of the OnStage Series. We gave WXXI a guest with ninety names on it and they told us we were at the limit. It might have had something to do with the free drinks and appetizers before the show. Los Lobos is playing for free tonight in the park downtown and some of our friends found it hard to tell us that they were opting for Los Lobos. I wish I was one of them.
Pete LaBonne came into town last night and will be joining us tonight on the five foot grand. We had a rehearsal where all went well except for when Pete and I headed off into a lounge section in “Beautiful Iraq”. It will be really interesting to see how we get from one song to the other tonight because we are used to talking amongst ourselves between songs. We’ve been doing this for years, sort of clearing the air before we start the next song. Another thing we’re used to is people talking while we play. We shape our songs around the din. I don’t think anyone will be talking tonight.
As far as I know, we are the only instrumental band on this list. The songs are sort of abstract and the host, Julia Figueras, will try to get concrete answers to her questions between songs. I see an interesting collision coming. I hope it plays well on tv.
We had a good time listening to an ABBA cover band a few years ago. It was interesting and a hoot at the same time. The Leonard Cohen movie, “I’m Your Man”, only had one song performed by him in it. They should have just made an MTV video. Cover bands are usually sort of sad.
Everybody was saying how much they enjoyed Billy’s Band at the Jazz Fest but I kept thinking about how much better Tom Waits would have been in person. Even when the band is the same but the main dude is missing, it just doesn’t work. Van Halen without David Lee Roth? After Sun Ra died, Marshall Allen took the Arkestra on the road but Sun Ra without Sun Ra?
And we broke one of John Gilmore’s concert going rules this evening by listening to a recording of Chuck Cuminale playing solo at Rising Place in Rochester in 1976. John says, “Never listen to a bands’ cd on the day of the show”. I missed Chuck Cuminale tonight at WXXI and maybe that was the idea. He had a perfect sense of rhythm and timing in his guitar playing and vocal delivery. This is all laid bare on this solo performance. And then of course, he was a poet.
Musical director, Ken Frank organized other former CBJ members (Rita Coulter, Phil Marshall, Charles Jaffe, Jim McAvaney, Bernie Heveron, Rush Tattered) and Chuck’s son Mark for this performance and their stellar performance almost made Jaffe’s wood inlay Chuck portrait (propped up behind the band) come to life. Julia Figueras asked Mark what he thought his father’s legacy was and he said “it has something to do with truth”.
YouTube ukulele sensation, Jake Shimabukuro, was just here performing to packed crowds at Rochester’s Jazz Fest and little did we know that we had our own homegrown YouTube ukulele sensation in Julia Nunes. We’re talking MILLIONS of hits. She’s Paul Nunes’ daughter. Paul is the Chesterfield Kings’ studio keyboardist and lawyer. He is also Vincent, a wildly successful childrens’ entertainer.
Julia soaked it all up and now knocks ’em dead on her own. She’s very cute, her covers are very well chosen, her bedroom video production is amazing but what really gets me is her video responses to video responses to her videos. Click on the photo above to see/hear her latest.
Julia plays this Saturday at the the Knitting Factory in NYC.
