Good Night Irene

Phil Marshall Trio at WXXI Sound Stage in Rochester, NY
Phil Marshall Trio at WXXI Sound Stage in Rochester, NY

The Phil Marshall Trio may not really be a real band. The official name may now be “The Horse Lovers” but the players are the same and Phil’s songs are are just as sweet. Even the new songs feel like old friends and the players are old friends so their performance on WXXI’s “On Stage” last nigt was especially enjoyable. Ken plays a different kind o bass in Margaret Explosion and all three of these guys played with Colorblind James. My favorite part was when Jimmy Mac did the chain drop on his snare drum for the big beat during their minor key, revamped version of “America The Beautiful”. Phil’s song, “Walking To The Opera”, written for his late brother is a flat out beautiful. There is an acoustic version of it on Phil’s MySpace page. While you’re there check out Annie Wells singing, “Guide Your Sweetest Dreams”. Watch out though. There’s a few Phil Marshalls in the MySpace world.

Tar Box Ramblers at Abilene in Rochester, NY
Tar Box Ramblers at Abilene in Rochester, NY

We were traveling with Rick Simpson in John Gilmore’s car last night so the night was still young when the XXI show ended. We walked into Adeline as the Tar Box Ramblers were startig their second set. We got talking to Rita Coulter at the bar and then got sidetracked at the pool table where John Gilmore was playing the night watchman from the Little Theater. When we finally got out back the bass player had set aside his stand up bass to join in on drums. The woman doing the door told us that the band reminded her of Phil Marshall. She was right. They did a nice versio of “Good Night Irene”.

I started thinking about Marky Ramone and how I liked his angular playing in the Voidoids but didn’t think he could match Tommy’s succinct playing with the Ramones. That was pretty much a non-sequitur. Here’s another one. Did you know Ken Frank is a mean chess player and an enigma.

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Beautiful Iraq

WXXI Sound Stage Poster with Margaret Explosion
WXXI Sound Stage Poster with Margaret Explosion

We are supposed to be over at WXXI today at 2:00 to get set up and sound check for the taping of Margaret Explosion’s segment of the OnStage Series. We gave WXXI a guest with ninety names on it and they told us we were at the limit. It might have had something to do with the free drinks and appetizers before the show. Los Lobos is playing for free tonight in the park downtown and some of our friends found it hard to tell us that they were opting for Los Lobos. I wish I was one of them.

Pete LaBonne came into town last night and will be joining us tonight on the five foot grand. We had a rehearsal where all went well except for when Pete and I headed off into a lounge section in “Beautiful Iraq”. It will be really interesting to see how we get from one song to the other tonight because we are used to talking amongst ourselves between songs. We’ve been doing this for years, sort of clearing the air before we start the next song. Another thing we’re used to is people talking while we play. We shape our songs around the din. I don’t think anyone will be talking tonight.

As far as I know, we are the only instrumental band on this list. The songs are sort of abstract and the host, Julia Figueras, will try to get concrete answers to her questions between songs. I see an interesting collision coming. I hope it plays well on tv.

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It Has Something To Do With Truth

Chuck Cuminale in wood by Jaffe
Chuck Cuminale in wood by Jaffe

We had a good time listening to an ABBA cover band a few years ago. It was interesting and a hoot at the same time. The Leonard Cohen movie, “I’m Your Man”, only had one song performed by him in it. They should have just made an MTV video. Cover bands are usually sort of sad.

Everybody was saying how much they enjoyed Billy’s Band at the Jazz Fest but I kept thinking about how much better Tom Waits would have been in person. Even when the band is the same but the main dude is missing, it just doesn’t work. Van Halen without David Lee Roth? After Sun Ra died, Marshall Allen took the Arkestra on the road but Sun Ra without Sun Ra?

And we broke one of John Gilmore’s concert going rules this evening by listening to a recording of Chuck Cuminale playing solo at Rising Place in Rochester in 1976. John says, “Never listen to a bands’ cd on the day of the show”. I missed Chuck Cuminale tonight at WXXI and maybe that was the idea. He had a perfect sense of rhythm and timing in his guitar playing and vocal delivery. This is all laid bare on this solo performance. And then of course, he was a poet.

Musical director, Ken Frank organized other former CBJ members (Rita Coulter, Phil Marshall, Charles Jaffe, Jim McAvaney, Bernie Heveron, Rush Tattered) and Chuck’s son Mark for this performance and their stellar performance almost made Jaffe’s wood inlay Chuck portrait (propped up behind the band) come to life. Julia Figueras asked Mark what he thought his father’s legacy was and he said “it has something to do with truth”.

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Video Responses to Video Respones

YouTube ukulele sensation, Jake Shimabukuro, was just here performing to packed crowds at Rochester’s Jazz Fest and little did we know that we had our own homegrown YouTube ukulele sensation in Julia Nunes. We’re talking MILLIONS of hits. She’s Paul Nunes’ daughter. Paul is the Chesterfield Kings’ studio keyboardist and lawyer. He is also Vincent, a wildly successful childrens’ entertainer.

Julia soaked it all up and now knocks ’em dead on her own. She’s very cute, her covers are very well chosen, her bedroom video production is amazing but what really gets me is her video responses to video responses to her videos. Click on the photo above to see/hear her latest.

Julia plays this Saturday at the the Knitting Factory in NYC.

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Screamin’ You Head

Hi-Techs Screamin' You Head 45 cover. Original photo by Richard Edic.
Hi-Techs Screamin’ You Head 45 cover. Original photo by Richard Edic.

Someone asked if we had seen Kevin Patrick’s “So Many Records, So Little Time” entry on the Hi-Techs. We hadn’t. That’s because Kevin is still experimenting with two sites (Blogspot and Tumbir) so if you want to stay up to date on all he has posted you will have to check two links for the time being. I like his Tumbir layout better because the play button for the songs is right next to the copy so you can play it while you read the entry. I’m sure he will figure this all out. I put links to both of his locations in the right hand column for the time being.

I really love this site and have been checking it out everyday but was only going to one link so I missed his entry on Screamin’ You Head. We hadn’t got around to digitizing this single ourselves so it was good to see and hear it in its digital shoes.

Those are Peggi’s eyes on the cover and she sang and played Farfisa organ, Ned Hoskin played guitar, Martin Edic played bass and I played drums. Dwight Glodell produced this.

Some Hi-Techs photos

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Pill Popping

Freddy Sue Bridge in Rochester New York
Freddy Sue Bridge in Rochester New York

Although a dying downtown does have it’s advantages, like easy parking and relatively cheap loft space, it is still sort of sad. One bright spot is the new Frederick Douglas Susan B. Anthony Memorial Bridge. I heard Frank DeBlase call it the “Freddy Sue” which illustrates how crazy the real name is.

We checked out Gato Barbieri yesterday at Paetec Park. There are so many tenor sax players in the world and yet no one else sounds like Gato? He’s still got it. Peggi came home and put on a few of his digital files. I guess he is almost blind so he probably didn’t even notice how few people were there. We hung around by the fence near the admissions gate instead of paying to get in. We did that once at the old baseball stadium when the Dead were playing. They had a huge crowd hanging around for them. There was only one other couple outside listening to Gato yesterday. I talked to Brad Fox on the phone yesterday and he reminded me that we named one of our cats after Gato. I didn’t tell him that Gato is cat in Spanish.

We ran into Laurie Barnum who works for the city. She said she brought an ibuprofen to Mark Iacona, one of the concert promoters, when he was back stage with Gato. She opened her pill container and Gato grabbed one of the pils, popped it and then asked what it was. She told him and he said, “Good, I could use one of those.”

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Rejuvenation

Water temperature in our neighborhood pool reached 68 degrees today. If it was warmer out I’d be in there. I read Thursday’s and Friday’s New York Time this morning, brewed a cup Yogi Rejuvenation tea and headed down to the basement to paint. I got one that I like a lot. Again, I had plans for it but I didn’t get there.

I have to look around for an alternative to Yogi Tea. They changed the graphics on the boxes. It’s now glued shut like a small fortress and the tea bags are sealed in a type of paper that is almost impossible to tear open. I started to do the yoga stretch that is pictured on the box and I read, “Before doing this exercise or participating in any exercise program, consult your physician”. My doctor would live that.

We rode downtown with our neighbors last night to hear a band of Eastman students outdoors at the Village Gate. We sat down in front of Bodhis Cafe and Monica and I both ordered hummus and cucumber sandwiches. Peggi ordered chicken and I think Rick had something called “Big Bertha”. After dinner we rode over to Abilene where a Cajun band was playing on the deck. Danny has a pretty comfortable spot here. And the juke box is a sight to behold with Colorblind James Experience and Personal Effects first two record. We were checking it out with Mrs. Colorblind. There is a pretty cool podcast of the CBJ’s Dylan night from 1992 at that Colorblind link. Brian Horton does a version of “Dark Eyes” shortly before his heroin od.

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Feeding The Beast

Crucial Roots Labels by Duane Sherwood
Crucial Roots Labels baby Duane Sherwood

I’m still “feeding the beast”, that is, ripping all the cds we have in the house in iTunes and building a library on an external drive. This has been a casual, ongoing, background activity for about a month now. I’ve got boxes of cds on the way out the door. Still not sure where to go with those.

I am really surprised that I haven’t burned out the cd drive in our old laptop yet. That thing has been a work horse. I did bring it to its knees a few times with homemade cds with paper stick-on labels. I put the first of Duane‘s Crucial Roots cds in there and it sounded like a helicopter taking off. I had to use a paper clip to bring it down. I asked Duane if he had a digital version of his essential, twenty cd set of Reggae/Ska/RockSteady/Dub and he set aside some time on Memorial Day weekend to make one. It fit nicely on a dvd and it’s now in our library competing with Pete LaBonne’s twenty six cd set, “Gigunda” in the “Party Shuffle” mode.

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Juke Box in the Sky

Today is Steve Hoy’s birthday. It is a big one for him. There is a six involved. We called him this morning but he didn’t answer. He was at the Indianapolis 500 yesterday and and may not be able to hear his phone ringing today. In the late sixties he proposed that we just kill ourselves when we turned thirty. I was uncertain but Steve felt like that was just too old and everyone he knew that was that old was a creep. It is old. Sixty is older.

I worked so hard on our landscaping job on Friday that I couldn’t paint Saturday morning. I stood in front of my easel like a zombie and then decided to just go out and work in the yard some more. Painting is hard work, harder than landscaping. I need to be physically ready or I make a mess of it. We turned in early and I was in good shape today. I finished a really strong painting before Peggi got back with her mom. We cooked chicken in the back yard.

I called our nephew in NYC to see if he could handle manual labor when he gets up here. He’s taking the train up tomorrow. I plan on borrowing my neighbor’s truck and picking up a load of 3/4 inch gravel to put in the French drain out back. It’s $5 a load at the quarry in Penfield. Our nephew is up for it.

Kevin Patrick is building a site that dedicated to 45s. He has just started but it promises to be brilliant. He tried blogspot yesterday and Tumblr today. He’s looking for an easy way to embed music in the blog software. It’s called So Many Records, So Little Time and it reunites packaging with digital music files. It promises to a juke box in the sky or record store showroom where you can’t buy anything but you can browse as long as you like. There’ll be plenty of personal anecdotes as well.

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Perfect World

I am nearing the end of of the big rip, that is taking every cd in the house and shoving it into our old laptop. I still have a stack of Sun Ra cds to rip and I’m sort of surprised the cd drive still hanging in there for this operation. A few cds with heavy ink coverage have sounded like a helicopter while giving up the goods. I have iTunes set to automatically retrieve track tags from CDDB and then eject with a chime when it finishes converting the tracks to mp3s or Apple Lossless files. Buy.com had a one day deal where you could buy a 500 gig harddrive for $100 and then there was a $20 rebate. So the library is sitting there and the cds are all in boxes ready to . . . I don’t know what I’m going to with them.

No more looking all over the house for a particular cd or just trying to find a cd in a pile. When I do that I usually forget what I’m looking for and go right by it. Now we’re diggin’ the Party Shuffle. You shuffle the deck with a click, call up 50 tunes at random, and restack those 50 if we don’t like the order. Or we live dangerously and just the let the thing go. All sorts of stuff comes up that I would never think of putting on. I keep thinking, “This guy is the best dj in the world”. And iwhen something nasty comes up, I hit the delete button and iTunes moves the file to the trash. This is a perfect world.

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Screwing Things Up

Bill Jones bought a plug-in for Cart Weaver (a shopping cart add on for Dreamweaver) that allows you to sell digital files and collect through PayPal. We are collaborating to set up a functioning store for Pete LaBonne’s entire oeuvre to date, entitled Gigunda. Today I scanned the covers of twenty six Pete cds. When we get the bugs worked out we hope to off this service to our website customers. Here is a sample from “Gigunda”. This track is from Pete’s “Ask Mr. Breakfast” cd.

I brought the Marlene Dumas book that Monica checked out of the UofR library to painting class last night. I had hoped to show it to Lorraine but she wasn’t in class. She has been really tearing it up lately. She brings in two or three paintings a week that just knock me out. My painting teacher really liked Dumas’s work too and he has borrowed the book for a while.

I saw that Lucian Freud’s fat lady painting sold yesterday for more money than any other painting by a living artist. Beautiful tribute/obit to/for Robert Rauschenberg in yesterday’s NYT’s. I particularly like this passage.

The process — an improvisatory, counterintuitive way of doing things — was always what mattered most to him. “Screwing things up is a virtue,” he said when he was 74. “Being correct is never the point. I have an almost fanatically correct assistant, and by the time she re-spells my words and corrects my punctuation, I can’t read what I wrote. Being right can stop all the momentum of a very interesting idea.”

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Dreamland Faces

Dreamland Faces Poster for Dryden Theater at Geaorge Eastman House in Rochester, NY
Dreamland Faces Poster for Dryden Theater at Geaorge Eastman House in Rochester, NY

Andy McCormick and Karen Majewicz (Dreamland Faces) performed in the dark last night in front of twelve short silent films that had been recently restored by the George Eastman House. Their music was so perfect for these old films that I kept forgetting it was being performed live and that it was not part of the soundtrack. And we were sitting right next to them in the front row. It was a magical night.

Andy plays musical saw, accordion, piano and keyboards and Karen sings like Edith Piaf while playing accordion or piano. They movies included “Mushroom Growing”1915, “How The Cowboy Makes His Lariat” 1917, two sensational “Felix The Cat” movies circa 1925 and “Love, Snow and Ice” 1915, featuring festivities at the famous Ice Palace built in 1898 in Saranac Lake. The complete lineup and a very cool picture of the band is here.

Also in the very cool category would be the John Cassavetes film festival this month at the Dryden.

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Pete Townsend With the RPO

Yo Yo Ma at the Eastman Theater in Rochester NY
Yo Yo Ma at the Eastman Theater in Rochester NY

Peggi’s mom bought us tickets to last night’s Yo Yo Ma concert at the Eastman Theatre. We sat in the last row on the mezzanine level. The orchestra sort of overpowered the superstar cellist with sound but Yo Yo overpowered them with his visuals. His performance prompted a few questions. Why was he the only one not reading music? Why was he the only one allowed to look around while the others sat rigidly? Why was he the only one gesturing like Pete Townsend as he played? There is an interesting conflict in classical music between studied discipline and heartfelt performances.

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Floating At The Bug Jar

Jen with Margaret Explosion t-shirt
Jen with Margaret Explosion t-shirt

I was looking for a gimmick to make the Margaret Explosion email announcement at least sort of interesting. Its a stretch when you play almost every week. Then I realized that we’ve been doing this for ten years so I put up a page making that milestone and I added a few new photos. Pete LaBonne came up with the ME name when he and Shelley were house sitting here in 1998. We started playing Friday night happy hours at the Bug Jar and kept that gig for about three years while the band morphed. The lineup has solidified but we’re still trying to morph.

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Musical Eateries

Scott LaFaro and Nick from the Seabreeze Inn in Rochester, NY
Scott LaFaro and Nick from the Seabreeze Inn in Rochester, NY

We did some overeating this weekend while celebrating my birthday. Peggi’s mom took us (we actually took her but she paid) to Mario’s on Monroe Avenue. It’s over the top Italian but well done and the food is sensational. We started with roasted calamari that was light and tender. We asked a few questions about its preparation and our waitress brought the recipe out to the table. They make their own breadcrumbs and lightly batter the squid with lemon, olive oil, Italian parsley (there is a difference) and salt and pepper. They grill it on an open fire for two minutes tops. Mario himself was sitting at the table next to us with his son. They had a fancy glass wine decantor on the table that looked like a bong. Tony and Tony wandered around the room serenading guests on accordion and guitar. They played something for my mother-in-law that only she recognized.

The following night my parents took us to Nick’s on Culver Road up near the lake. I couldn’t decide between the eggpant parm and the manicotti so I asked the waitress if she could split the order. She brought Nick over for clearance. When he gave his approval I did a quick little drum role on the table. Nick asked if I was a drummer. I nodded and he asked who I played with. I said “Margaret Explosion” and he winced.

Nick brought me over to a picture on the wall of him (down front with a big grin) and Scott LaFaro. Scott is center right in the picture above. He played bass on some early Ornette Coleman records and died in a car crash outside Canandaigua when he was 25. Nick managed Club 86 in Geneva during its heyday when Ella Fitzgerald, Louie Armstrong, Dizzy Gillespie, Nat King Cole, Lionel Hampton, Buddy Rich, and Tony Bennett all played there.

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Itinerant Artists

Fay Victor Ensemble at Bop Shop in Rochester, NY
Fay Victor Ensemble at Bop Shop in Rochester, NY

Peggi started teaching a new round of Dreamweaver classes at the Genesee Center for the Arts last night. I rode downtown with her and then walked over to the Memorial Art Gallery for a lecture by local artist, Jim Mott. He travels the country trading paintings for hospitality and his “Itinerant Artist Project” was featured on the Today show. He talked over a PowerPoint presentation, sometimes talking about one thing while flashing paragraphs of type on the screen that had no relation to what he was talking about. But he had fun with it all and he seems like the the nicest guy you would ever want to meet. His photos and paintings are beautiful. They are small, like 6 by nine, so he can travel with them when they are wet in a plywood case with slots. His landscapes are relaxed and painterly but perfectly readable. There is a nice little slide show on his site.

I met Geri McCormick after the lecture and we went across the street to Village Gate to see Fay Victor and her band. They had just driven up from NYC and they were playing in the atrium outside the Bop Shop. They sounded great here, a little bit like the Art Ensemble with Fontella Bass. Avant and soulful at the same time.

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Just Say Nothing

I have a sticker on my drum case that came from MX-80 some time in the eighties. It reads “Just Say Nothing” and is their take on the “Just Say No” campaign that was so effective in staunching the thirst for drugs. I was reminded of it at our Margaret Explosion gig last night when Peggi suggested that some of us stop while we are playing, just leave some spaces in the music before plugging up all the holes again. We did so in the next song and we got rounds of applause in the two breaks. It is such a simple technique but incredibly effective.

We made up the music in both sets last night. That is, we didn’t play any songs. Some would call it jamming but if it sounds like a jam we consider it a failure. We try to hang melodies on a rhythm and develop and reinforce them in way that makes them sound like a song or at least a musical interlude. So without arrangements we need all the help we can get and this stopping thing works.

It alerts everyone in the room when the color of the sound changes and most importantly it alerts the other players. The space gives us some breathing room to solidify the parts or prompt a change in direction. It allows the person who is sitting out to think about their contribution before jumping back in. And when the other instruments do come back in it is a release for anyone who is listening. We don’t know what we’re doing and that is the whole idea. If we knew what we were doing, we’d be doing songs all the time. Leaving spaces makes it seem like we know what we are doing.

The funny thing about it all is that we don’t have to play any better during the breaks. We don’t really need to solo or anything. All we need to do is have someone stop. In the old days, in previous bands, we would work breaks into our tightly arranged songs and invariably the loudest cheers of the night were when one or two of the instruments stopped. The fist pumping crowd down front loved that stuff. The bass player and clunky drummer would just keep playing exactly what they were playing under the music and the crowd would start cheering just because someone had stopped.

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Long Live Personal Effects

Margaret Explosion photo by Richard Edic
Margaret Explosion photo by Richard Edic. Bernie Heveron is playing bass with the band.

Last week Bernie Heveron sat in on bass for a song with Margaret Explosion. That’s all it took to transform this lineup into Personal Effects. So we did “Big Man” from the PE repertoire. Tom Kohn has scheduled a “Scorgies Reunion” at the German House for November 21th. That was thee club back in the day. We have never had a Margaret Explosion rehearsal but we may need a few for the Personal Effects gig.

Richard Edic took this shot. Bernie wasn’t the only PE bass player. First there was the infamous, Martin Edic and after Bernie there was Robin. She is featured in the video below. And then Martin came back. Margaret Explosion plays tonight at the Little Theater Cafe.

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Everybody in the Pool

There is a pool on a vacant lot on our street with a swimming pool that was built in the mid sixties. Tonight we started our first of two years as pool club presidents. We had a meeting on our deck and decided who’s going to do the lawn this year, who’s going call the power company to turn on the juice and when to open the pool (in three weeks!).

As presidents we get to balance the chemistry. Last year’s president let it get away from her twice and the water turned green. We have a little chemistry kit that we will check the water with and we’ll add chlorine cakes as needed. We also get to make a schedule for what week each neighbor is responsible for skimming the pool and running the underwater vacuum.

Our neighbor, Rick, told me that Bob Mahoney reviewed the Pete LaBonne house concert. He did a lot better job than I did.

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Vinyl Is Better

Dancing at party after the concert.
Dancing at party after the concert.

Pete LaBonne’s performance in our living room was nothing short of amazing. Peggi and I have been singing “You’re a hundred monkeys typing on the bottom of my heart” all morning. We had about twenty people here. Peggi made banana nut bread and I made my best yet of hummus. We videoed the performance and will have something on YouTube soon. Just have to clear a few legal hurdles.

And just as I was extolling the virtues of our newly digitized music collection, iTunes froze up on me. It was about two minutes into Sly and Family Stone’s, “Sex Machine”and the dance floor was full. While I rebooted I played a forty five that had been sitting on the turntable for the last few weeks, “Hot Chocolate’s Don’t Turn It Off (I Kinda Like It)”. Damn did that sound good. Full and warm, not cold and digital. That may have been the number that got people taking turns dancing on our coffee table.

An article in yesterday’s NYT said today is Record Store Day. It coincides with the Grand Opening of Record Archives’ new store in Rochester. There are a bunch of bands playing there and we head over there. Might pick up some vinyl.

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