Our next door neighbor, Leo, put this wood splitter together. It is a Heathkit like the stereo systems that early hobbyists built. Peggi’s dad was one of those. He put their first amplifier together in the fifties. My college roommate’s father, Harmon Hoy, built one too and his son, Steve, brought it to school with him. One of the first things Steve said to me was, “Mind if I put one of these stereo speakers on your desk?” I had been gearing up to study in college because I never did that in high school and that question and it’s implications pretty much put an end to that effort.
I borrowed the wood splitter this morning to work on the wood we pulled up from behind our neighbors house when a few trees blew over. I only got through a few pieces when a bolt broke on the handle that drives the shaft and wood toward the blade. I bought a new bolt but we will have find someone to weld the piece fitting on the end of the new bolt. I’m thinkin of giving Sparky a call tomorrow.
Peggi made dinner with the grilled vegetables and pasta recipe from this morning’s paper and it was sensational. We have a Netflix double header of “I Walk With A Zombie” and “The Body Snatcher” for after painting.
We spent the weekend in what some people are now calling New York’s Tech Valley“. The area stretches from Montreal to New York City and there we were equidistant from the two cities in the middle of a dead zone. That means no cell towers, no cable, no wifi and where we were, no land lines for phones.
Getting off the grid is exhilarating. I brought some old newspapers but they are out of reach here as well except for the an old issue of the El Paso Times that came in a box as wrapping for some framing that Shelley had ordered for her stick pictures. I was thinking how how cool it would be to be able to get a subscription to a variety pack of newspapers so that one day you would receive a newspaper from Tennessee and the next day it might be from Los Angeles or El Paso instead of Rochester’s Democrat & Chronicle everyday. I had a paper route for five years and developed a newspaper fix that I have never been able to shake. This may not seem as exciting an idea to most people as it it does to me.
We missed Mike Allen and his brother Lou at Mez this weekend. Mike was the lead singer for a bands in high school and I remember his brother being a great drummer. I was looking forward to hearing them do jazz standards.
On the way back into town we stopped in to say hi to Peggi’s mom. She had the Bills game on and they were losing. She tried calling her friend, Alice, to see if she wanted to join her in the dining room for dinner but she dialed Alice’s phone number on the tv remote and I watched as the channel changed to every station in Alice’s phone number.
We took a leisurely, leaf peeping drive through the Adirondacks to Pete and Shelley’s place near Crown Point. The color was amazing. We lost track of time. Peggi thought she saw snow but it may have been a white cloud in front of one of the high peaks. We stayed too long at Cabin Fever in Star Lake, talking to Irene Baurschmidt’s husband. He was telling us that he used to do “set up” for the Invictas and he was going to do it again for them at an upcoming gig at RIT.
We were going to hook up with Pete and Shelley and drive down to her opening in Glens Falls but we were about an hour late. They were pulling out when we pulled in and we passed each other and then both turned around and then passed each other the second time. We didn’t even see them the second time and we weren’t sure that they had seen us the first time so drove on trying to catch up with them but we never did. We were right on time for the opening and Pete and Shelley showed up about a half hour later.
Shelley’s work is beautiful and we met a lot of their friends and neighbors that we have only heard about until now. We made dinner out of the little egg salad sandwiches. We were happy to that Glens Falls has a minor resurgence going on with a lot of transplanted New Yorkers settleing down here. On the Northway heading back up to Pete and Shelley place we tuned in Toronto’s “Friday Night Bandstand” on AM 740. This is a real radio show with a dj playing obscure singles and b sides along with the old familiar stuff. We only recognized about every other song or so and we were there in the first place.
Just like the Soccer Moms and Joe Sixpacks, we were really looking forward to the debate tonight and it sort of disappointed. The bar had been lowered so far that Sarah won by not completely blowing it. And when you think about Dick Cheney, Palin did look pretty vice presidential. I have a pretty good track record of picking the losing limbo dancer and I hope I’m wrong this time.
How do you go about drawing in a cornfield at this scale? The articles say it took the farmer eight hours to mow his corn field in this Palin pattern but how do they work on this huge scale? Does someone project an image on the field? I might want to do some big crime faces.
Sometimes its easier to find a site with Google even when you know the domain name. And then there are always the diversions. I found the Korean Pop Wars and just added this Popwar “Word Beanie” to my wish list all on the way to my blog.
Monica emailed me from the Memorial Art Gallery today. She needs the Marlene Dumas books back that I borrowed. Excellent timing because “Measuring Your Own Grave”, the Marlene Dumas book from her upcoming MOMA retrospective, just showed up from B&N online.
A bird flew into our kitchen window this morning while I was having coffee. It’s lying upside down on our deck. I have to get out there and give it a proper burial. I promise not to photograph it. I never got around selling my 3 mega pixel Kodak when I bought the 5 megapixel Sony that I had until I bought my new little Nikon so I gave it to Pete and Shelley when they were here last. They sent a photo of a mouse that they caught in a trap. I probably won’t post that either but I wanted to acknowledge receipt of it. It’s nice to know they are using the camera. It all happens with solar power up where they are.
I brought this painting into class tonight for a show that our class is having in the gallery down at the Workshop but while in class I addressed some problems on a different painting and then decided to leave that one there for the show. My father takes this painting class with me and his neighbor teaches a watercolor class at the Workshop. This neighbor/teacher was telling my father that he does a demonstration in every class and the people love it. My father said he told the neighbor that Fred has never done a demonstration in class the the whole time he has been there. He is just not that kind of teacher.
But Fred may have overheard this conversation because one of the first things he did tonight was say, “May I have attention for a few minutes?”. He went on to say, I see a lot of you are working from a photograph and I just wanted to say that there is a misconception out there about photography. People feel that photos don’t lie and of course they do. Photos haven’t been sorted out unless they were taken by a really good photographer, someone who made decisions about what to leave in and what to take out. And if it is a really good photo that you are working from, all the decisions have already been made for you. It is already done. And why would you want to repeat what you already know? You need to get at the reason you were attracted to the photo in the first place.
To do a good painting you need to be stimulated. You need to solve problems. You need to try things to see what works and what doesn’t. The fun part is the hard part. It is a bit masochistic. This is pretty much what Fred said and it was a pretty dramatic demonstration.
I, on the other hand, am attracted to and work from really bad photos, mugshots from the newspaper as of late, but this applies directly to my process. I am just starting to learn that just because some dude has a neck or two ears or two same size eyes or whatever, I don’t have to paint everything that is in the photo the way it is in the photo. I used to try to reproduce the bad photo and I found this hard and frustrating. Making decisions on what to paint and what not to is not any easier but it is less like beating your head against a wall.
We had to do a Mapquest search to locate Greece Athena High School. We rarley get over to the west side of the city and we were looking for the Performing Arts Center, the same place where Bush gave his sales pitch for Social Security privatization. The whole town is red but we were trying to forget about politics for the afternoon and enjoy the opera.
The Barber of Seville has some pretty familiar music in it. The barber’s name is Figaro and we can all sing that. I heard a Queen cover in the overture too. I was sitting in the back while Peggi attended to her mom in the bathroom. I was there for most of the first act until an usher came in and told me that my wife was looking for me. As I suspected, we would now be heading back to her mom’s apartment so that she could get cleaned up. They never saw any of the opera. I’m down in the computer room on a Windows machine. We plan to head out again, this time to Mario’s, my mother-in-law’s favorite Italian restaurant.
I think it was the summer between my brother Fran’s junior and senior year in high school when my parent’s had had enough. They asked if Peggi and I would take Fran for the summer. We said yes and they drove him out to Bloomington and dropped him off.
He got a part time maintenance job at Peddler’s, the woman’s clothing store that Steve Hoy’s sister ran. I was finishing concrete for a construction company and Peggi was working as a dental assistant. Dave Mahoney was working in the dorms and he lived down the street from us. We all spent a lot of time at the nearby quarries. We didn’t usually wear bathing suits but we did when my parents came back out to pick him up. My father took this shot. You can tell which one of us was more of a rebel rouser by the body language in this shot.
Like everyone else, the chipmunks are slowing down this time of year. Whether they are too fat and complacent from the the bountiful summer or just getting sleepy in preparation for winter hibernation, they are piling up at our door. And our cat, Ornette, is responsible for the slaughter. I guess he thinks he is doing a good thing, bringing them up to the door, like he’s doing his share to put bread on the table. At most he puts puncture wounds in their necks and only occasionally will he eat some of the head. I’ve seen some chipmunks get up and take off after this treatment. It’s kinda gross. Today there were three of them. I keep a shovel by the door to scoop them up and then I toss them out back in the woods.
John Gilmore brought a Wegman’s precooked chicken over for dinner last night. We had a salad and some salsa waiting for him but the salsa was too hot for John. We gobbled it all down and raced off to the Little for our last Margaret Explosion gig until November. We’ll use our down time next month to rehearse for the Scorgies Reunion gig. Haven’t touched most of that Personal Effects material in twenty years.
Bob Martin was out of town last night so we played with Jack Schaefer. We got through the night without doing any songs and that is usually a sign that there will be some magic on the recording. Paul Brandwein was there to hear the band and marvel at his art on the walls. We had just seen him at the Billy Bang show on Monday. Mick Sarubbi was there with his mono recording rig set up. That’s his mic in the foreground of this shot. Here’s our recording of one of the tunes from last night. We’ll have to A/B it to Mick’s.
Back home we checked out the photos that John Gilmore took at the Little while iTunes shuffled away in the background. Patsy Cline’s “Does Your Heart Beat For Me?” leveled me for some reason. Does that old stuff really sound better? Is there such a thing as progress or just passage? Like Irene (Palermo) Baurschmidt told me at our reunion, “We’re getting old, Paul”.
Dreamland Faces ignores these issues and plays timeless music. They’ll be playing saw & accordions tomorrow night while Jenn Libby projects some films at the Visual Studies Workshop – 8PM. Pick up a copy of their new BROWN HORN instrumental record while you’re there. I will be entertaining my mother-in-law.
I used the 25 dollar B&N gift certificate that the class gave me for being on the reunion committee to order the Marlene Dumas book, “Measuring Your Own Grave”. The book is a companion piece to her upcoming show at MOMA. She is my favorite living artist.
There was a new guy in our painting class last night doing these abstract, big bang sort of paintings. He is also a fly fisherman so he and our painting teacher, Fred Lipp, spent a good deal of time talking abut locations and lures. I was thinking they ought to come over and catch a few of the flys in our house. We had the doors open round here while we gave them two coats of fresh paint and collected a few. I had one wake me up by insisting on landing on my nose.
Fred was relentless last night as well he should be. “What is this?”, he exclaims as he reaches for his grey paper to cover the offending “neck” in my case. “It looks like a tree stump”. My father, who is set up right next to me, gets as merciless an assault. In his case Fred covered half the painting and told him, “There’s your painting”. He was left with a beautiful Maine lighthouse. My father said, “Hey. I pay for this class”. You get what you pay for and we have it no other way.
Fred has a beautiful watercolor on display in the faculty show at the workshop right now. It’s called “Moving On Out…” Why wasn’t he chosen for the upstate biennial that’s currently on display in the MAG? There is no good answer.
We finished a new sheet music cover today for Tony Stortini. This piece is called “Deep Feelings”. Jack Handy comes imediately to mind. How many design firms are still doing sheet music covers these days? Tony is on a creative roll. We already did art for “Hearts of Gold” which he wrote for his daughter and “Tippy Tap Joe” which was dedicatedf to his brother, Nunzio. Peggi stuck Nunzio’s head on tap dancer that she found online.
It is not just a coincidence that we finished painting our house yesterday and that painting class starts up again today (see class listing below). My painting arm is in good shape, my mind is well rested and I am ready to apply myself to this most engaging discipline.
Don’t let the “Advanced” part of the description scare you. Sign up if you if you’d like to be a better painter. Fred Lipp is the best.
ADVANCED PAINTING – Creative Workshop – Memorial Art Gallery Ten Tuesdays, 6:30–9:30 pm, September 23–November 25 [taught by Fred Lipp] This studio is a place of camaraderie, concentration and honesty mentored by highly respected painter and teacher Fred Lipp. Your work will be carefully seen, reviewed, and nudged along, as you’re challenged to consider what you’re creating, why and (most importantly) how the painting works and can work better. Painters work in a variety of styles, manners and media. Register early as this class fills quickly.
We have been lucky to see Billy Bang so many times. We first saw him at Red Creek in the seventies when he was playing in Sun Ra’s band. He has played here three times during the Jazz Fest and Garth Fagan hired him to perform live for one of his dance pieces in Greece. Tom Kohn had him at the Bop Shop in the Atrium a few times with different line-ups.
The lineup tonight at the German House was one of my favorite configurations – a trio called FAB with Joe Fonda on bass, Barry Altschul on drums and Billy Bang on violin. All three are amazng players and improvisors. In this setting Billy is as melodic as ever but the band is not just here to support Billy. This is an exciting three way street. We sat with Jeff Munson and took in the sights with our eyes closed.
The party room attached to the bar at the VFW in Fairport last night was flooded with florescent lighting and the acoustics from the hard surfaces made conversation tough but the class of 1968 rose to the challenge. Just like old people, everyone pretty much showed up at once. There was about a third of the class there along with a poster with the faces of the fallen. Three of my best friends from high school were on the board and it felt strange. Everyone knew Charlie Coco and Tim Schapp (in the glasses below) had died of AIDS but a number of people asked me how Dave Mahoney died, Patti Cowie, Dave’s old flame, among them.
Someone brought old class photos and I was knocked out by this one of our fifth grade class at Holy Trinity. My family moved out of the city that year and I joined the class midyear so I didn’t expect to see my photo in here (with tie above). Bill DeMar was in the photo. I heard he is dead too. He figured out how to set the clocks back so the bell never rang at the end of recess. Andy Finn, who has his own talk show, was in the photo and Tim Schapp and Joe Barrett were there even though they were not in attendance at the reunion. Bill Grey, whose father started Bill Grey’s restaurants, was in the photo and John Abraham, a good friend from grade school. He died in a car crash right after high school. Albert Williams was in the photo and in attendance. His twin brother, Alfred, was in the photo but still in Las Vegas. Dave LaPlant was in the photo and he was standing right next to me. He helped me identify the rest of the class. Jean Maier was in the photo and she was there too. And Irene Palermo was on the end of row four. I called her over to show her the photo. We were boyfriend/girlfriend in high school. She told me I looked thin. I took it to mean “too thin”. She looked great.
I was too overwhelmed to take photos and that is not like me. I did get a good one of Nina Gaby and Leeann Birdsall and another of Karen Mahoney and Laurice Densmore. I couldn’t tell if I was overloaded from seeing so many familiar people or emotionally drained from replaying so many scenes from the past. I wasn’t even able to make good conversation. I felt like I was back in high school. Mike Allen took me out to his car to show me something. He was in working bands in high school and he gave me an announcement for an upcoming gig. I checked to see how Peggi was holding up. I was in her place earlier in the year when we went to her reunion outside Detroit. She was talking to Mary Kaye and Shirley Zimmer and was all smiles so I felt better.
We did the twist on the dance floor and we all snaked into the bar. Marianne Gocker was hanging on to my hips. Holly Clark became the Queen of Soul for “Respect”. The class was dancing in a big circle and Jeff Munson and Doug Klick did a WWF interpretation of Wolly Bully in the center of it all. The dj had a pretty good segue with Louie Louie but it wasn’t the Kingsmen version.
The committee took home mums and leftovers from Proiettis. I was still out of it today so we snuck over to Rick and Monica’s hot tub for a soak and then watched Mystery Science Theatre reruns on VHS.
We had Bruce O’Neil out to look at a few of the trees around our house. We have some big ones and we wanted a professional to let us know if we should be concerned about any the ones that lean in on the open sky above our house. Our friends, Pete and Shelley, had one fall on their place in the Adirondacks. Bruce found a few dead branches that he said he could clean up but no real concerns. There was one caveat “Of course, I can’t do anything about an act of god”.
Bob Mahoney recommended Bruce but the funny thing is he had already done work for Rick and Monica across the street and Jerod down the hill so he felt right at home. Bruce told us he had done some work for Gary Lewis of the Playboys fame and when Bruce told him how much he liked “This Diamond Ring” Gary gave him a dvd of his father, Jerry, and him through the years on various tv shows.
When we finished talking trees I showed Bruce the name tags that I had printed out for my high school reunion tonight. Bruce graduated the year before me and knew a lot of the people in my class, especially the girls.
We went to a pre-reunion gathering last night at Holly Clarke’s father’s place in the city. Holly, up from Brooklyn, was voted best actress in high school. Her brother, Jordan, who graduated in Bruce the tree surgeon’s class, is Billy Lewis on Guiding Light. Holly’s father told us how he picks up women in Wegmans. He fumbles with meat packages and then asks nearby women if they know how to cook it. If he doesn’t see a ring on their finger, he recites poetry. It usually works.
What a coincidence! Peggi’s sister comes in to town to relieve Peggi of parental duties and we painted the last of the trim on our house and in today’s paper an article about the Giorgio Morandi show that just opened at the Metropolitan. He is one of my favorite painters. I painted a portrait of him a few years ago.
We have a little more house painting to do tomorrow and then we’ll put away the ladders, the scrapers, the putty knives, the caulk guns the paint cans. And then we might just drive down to NYC for this show.
Margaret Explosion played last night at the Little Cafe and we play one more time this month. Bob will be out of town for that one so we will either go as a trio or play with bass clarinetist/guitarist Jack Schaefer. We had pretty good gig last night and came up with few nice tunes. Margaret Explosion is off next month so we talked about getting together to rehearse for The Personal Effects reunion at the German House in November. We plan to go with The Margaret Explosion lineup and then get Martin Edic and Bernie Heveron and possibly Robin Goldblatt (all three former PE bass players) up for a song each. Should be a breeze.
We’ve been digging through old photos from the Scorgies days to post to the Scorgies site and we came across this one of Peggi on air at WRUR’s studios. I used to listen to her show while I worked downtown at Multigraphics. That’s Stan the Man and Rock n” Roll Joel marveling at her on air presence. This must have been around 1980.
I remember the waxer and press type and specing type and stats and rubber cement and benzine and the whole paste up process. And I remember doing the artwork for the first New Math single. I posted it all on the Scorgies site.