Love Letter To Elizabeth Peyton

Paul Dodd painting entitled “Model from Crime Page” 2008

Our painting teacher, Fred Lipp, is really much more than a painting teacher. And I don’t say that because he is also an extraordinary artist. He is a fly fisherman too but I have no idea what his skills are in this area. He is more than a painting teacher because his methods for teaching painting can also be applied to living your life. Last night in class I heard Fred give advice to a woman who was painting near me. He said, “Paint it as a whole, from start to finish”.

Say you are heading out for a drive. You might have a destination and you might even use a map. But if you really want to enjoy the ride you may decide to take a detour or a side trip or forget about your destination altogether.

“What we’ve heard is so disturbing
It takes time to settle in
Our destination doesn’t matter
This is it… life hereafter”
– Personal Effects, “This Is It” LP, 1984

I’m trying to connect the dots here. I devoured an article on Elizabeth Peyton’s “Live Forever” show in Friday’s New York Times and then started a new crime face painting on Monday. I sketched a guy that sort of looked like a woman and in fact I switched the situation in my mind and thought I was sketching a woman that looked like a man. The people in class thought he was a man and Maureen Outlaw told said he looked like me. When Peggi saw the painting she said, “I like him”. I said, actually it’s a woman and I reached for the Crimestoppers page that I used for my source. His name turned out to be “Jeffery”. I had played up the lips like Elizabeth Peyton did in her portrait of Kurt Cobain and the clothing was loosely painted like her portrait of Piotr Uklanski. My crime guy was thin and more youthful than the source. He looked like a rock star.

We watched the “Life and Times of Frida Kahlo the other night and I was knocked out by how beautiful and exotic Frida Kahlo was. This documentary was so much richer and more interesting than the Frida movie. Frida Kahlo was her artwork. She lived her artwork and painted the whole from start to finish. I have no idea what Elizabeth Peyton is like but I love her work.

While I was applying paint to my sketch of this crime guy and developing his attitude, it suddenly became clear that each move was not helping so I stopped. I was painting the whole from start to finish and this was the finish but I didn’t recognize it at first. The finish could come at any time regardless of my plans. I should live my life this way and then painting would be a breeze.

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What Are Your Plans?

If I was in NYC this weekend I would be headed to the “Philip Guston: Works on Paper” show at the Morgan. After that I would head down to the West Village to Gavin Brown’s Enterprise for the Elizabeth Peyton show. She is one of my favorite painters. If I was Andrea Stim and in NYC I would be up on the roof of the Metropolitan for the Jeff Koon’s sculpture show. We have been looking for an opening to get down there.

Lucky Duane, he lives there and last night he saw Suicide. He sent this report up.

Last nite in my old neighborhood, literally around the corner from my old apt, in a Polish disco, Suicide played. It was sort of intense in a different way than their shows can usually be. Marty was wearing the biggest pair of goggles I’ve ever seen, like something from a space-age motorcycle helmet with pitch black lenses. The rest of his outfit was almost too much to explain. Red satin Hip hop basketball jogging suit w/ a shredded blk t-shirt. Vega wore what Vega always wears, black. + a Knit hat on his head.

Marty started by playing a whole heap of white noise sounds – high pitched – with no rhythm machine. Then Alan announced that they were dedicating the show to Marty’s wife Marie who had just recently died. That was a shock, & even more so to me because just 1 min earlier I’d asked Howard why, when Alans wife Liz was always at the shows, did we never see Marty’s wife. No idea why that Q had popped into my head. And so Howard had just told me she died in Feb. Married since 1971.

The clubs PA was too small & I think Martys unusually raw & emotional playing was too much (maybe purposely) because for most of the show the sound was really distorted & the sound system auto-shut down a couple of times for like 2 sec. That was intense too, the sudden silence. Lots & lots of white noise, my ears are really ringing today.

Song titles that I remember – Dream Baby, Wrong Decisions, Cheree, Che, Stayin Alive, Ghost Rider, Death Machine.

At one point While Rev was playing all this noise, Vega was putting his mic into the speaker of Revs amp & rubbing it all around the rim, etc. Extra noise & distortion. They played about an hour, & got a long applause encore. At the end of the encore, after Alan had left the stage, Marty finished up with an overloaded white noise wall of sound & then took off his goggles & said something solemn into the mic about his wife, but it was so distorted & blown out I couldnt understand it. Kind of a loose, sloppy, & unfocused, one off type show. Good, not great. But a good Suicide show usually still has more than some other peoples great shows. We chatted with Liz before the show & went bk & said hello to the guys after.

That friggin neighborhood was just waiting for me to leave to become incredibly hip. This place was totally east euro cool/trashy, and the hottest underground club in NYC now is at the next corner down on Calyer street towards the river.

Didnt take my camera but Howard took some shots. There was a great point & shoot in someones hands there, nice big LCD & it looked like it shot some form of nitevision, but it was deep blue instead of green. The guy was too far from me & he left before the show was over or else I was gonna go see what it was. Howard noticed it too, we were both green with envy, so something that fits my needs could be out their waiting for me to find it.

Next weekend is Memorial Day wkd – what are your plans?

Hmmm. We are thinking about driving down to New York.

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