Interval Before The Brink

Alice de Mauriac painting entitled "Interval Before The Brink" at Rochester Contemporary Members Show
Alice de Mauriac painting entitled “Interval Before The Brink” at Rochester Contemporary Members Show

The First Friday Gallery hop gets bigger every month, so big I heard talk last night of venues switching to the second Friday of the month. Places that don’t have any real gallery space at all are jumping on the bandwagon. How would you like to have your art featured on a bright yellow wall on the down ramp at the Record Archive? Only Frank DeBlase could pull that one off. We checked out a few of these not-really-an-art-space shows last night. Geri McCormick had some beautiful letterpress prints in a show at Joe Bean on University. We had never been to this coffee bar, a real bar format but without the alcohol. They roast their own Fair Trade beans and prepare each cup to order, your choice of coffee and brew method. We bought a bag of beans to take home. It took me about a half hour to get the bag open but the coffee was delicious.

Next stop was Jembetat on Park Avenue where Heather Erwin was holding court with her Barbara Kruger meets Russian constructivist prints. I had my iPod Touch with me but was afraid to whip it out because of the rather hostile “Please . . . No Laptop or WiFi use. Please refrain from cell phone use.” signs. Meanwhile the owner was plopped on the couch cruising fb on his smart phone. I wanted to check the First Friday site to see what else was happening. Turns out we missed Pete Monacelli’s “Thoughtful Influences” show at the Philips gallery. We saw Pete at our last stop, the annual Rochester Contemporary Members Show. We talked art for a bit but mostly drums and the art of playing minimally.

I was so happy to see that Alice de Mauriac’s painting, “Interval Before The Brink” (detail shown above, click photo for full painting), won the Record Archive Award at RoCo. It was the strongest, most beautiful piece in the room. If only the MAG would feature her work in one of their biennials of regional artists. She has many more where this came from.

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Collaboration Collision

Image from Heather Erwin and Duane Sherwood "Collaboration Collisions"
Image from Heather Erwin and Duane Sherwood “Collaboration Collisions”

First Friday in Rochester is happening. It’s so much fun to wander Chelsea style, from gallery to alternative space to open studio running into old friends while taking in art that can as Roberta Smith says “humble, broaden and energize you in significant ways.” Our favorite stop last night was Studio 215 on North Goodman. Duane Sherwood was up from NYC to hold court at the opening of “Collaboration Collisions”, photographic montages of photos he and Heather Erwin took around Rochester, new modern, Cubist montages that open in a psychedelic, Rorschach manner on a wide screen monitor.

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Process

Paul Dodd "Shoes On Silver" 1976, acrylic on canvas 36" x36"
Paul Dodd “Shoes On Silver” 1976, acrylic on canvas 36″ x36″

Beth Brown, Russ Lunn, Heather Erwin and Jim Mott have rented space in the Anderson Alley building, space that was a shoe factory when Rochester had many. My grandparents worked in shoe factories here. In fact, my aunt gave my father this tiny pink shoe made of leather, a sample from the shoe factory their father had worked in. I was called a “Superba”.

One of the only things I accomplished this summer (4D work doesn’t count) was organizing the garage. There were some tools out there and that were almost impossible to get at. I threw away a bunch of old paintings and one of them was the shoe painting above. I did it while I was in school and I had forgotten all about it. I found a big roll of white paper in the garage, something my father had given me when he used visit the Kodak surplus building before coming home from work. I also attempted to deal with the piles of stuff in our office and I did decided to throw away the light table we haven’t used in about twelve years.

I photographed the tiny shoe on my brother’s picnic table and did a few drawings from the photo and then a few small watercolors of it. I brought the scale up to oversize and it looked less like a woman’s shoe and almost like it could fit a nineteenth century dandy. I simplified the drawing and created a pattern that I put on the light table and then unrolled the white paper over the pattern as I painted one shoe after another.

It will be in the show when it opens on Friday, November 5th.

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