Tether

Tables set for an event at Art Gallery of Ontario
Tables set for an event at Art Gallery of Ontario

I consider myself one of the luckiest people in the world, to be in a band with Peggi Fournier. Over and over again, she pulls beautiful melodies from the thin air, marvelous stuff that you could hang your hat on. To my ears she is a rare breed.

The song below is from last week. I only brought two drums to the gig as my right foot is out of commission for a month or so. A young couple there, both of them nurses, told us they saw Margaret Explosion on their first date and they came back tonight because they both had off.

Chuck Cuminale, aka Colorblind James, was born the 23rd, the day before Bob Dylan’s birthday, and he was a lifelong fan which is not to say he loved everything Bob did. Far from it. I went to high school with Chuck. He always took music seriously and loved to share his opinion. I haven’t had a good argument with a friend about music since he died.

He wrote the following when he was working for City Newspaper. “The Margaret Explosion is not screaming for your attention. At its weekly Friday night happy hour gig at the Bug Jar, the band sets up in the darkest corner of the club. It makes no announcements or introductions. The musicians don’t take flashy solos, or make grandiose musical statements. What they do, from their dark corner, is provide the crowd with a cool, knowing, improvised soundtrack for its early evening activities. They cast a bohemian glow over the room, and, like magic, people look more interesting, conversations become more engaging, and Rochester seems like a better, hipper place to be.”

Margaret Explosion plays one more Wednesday at the Little Theatre and then we’re off for the summer.

Listen to Margaret Explosion – Tether
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Matisse Side Show

Peggi Fournier watercolor entitled "Shelayla" at Creative Workshop in Memorial Art Galley
Peggi Fournier watercolor entitled “Shelayla” at Creative Workshop in Memorial Art Galley

I still haven’t gotten over to the Memorial Art Gallery to the new Matisse show, supposedly works he left to his grandkids. As our painting teacher said last night, I haven’t seen a Matisse I didn’t like, or some thing to that effect. But I was there last night in the basement, a place they call the Creative Workshop and there is a really cool show up of painters from Fred Lipp’s day class (Bill Keyser, Rose Mary Hooper, Lana Farhi, Eileen Joy) and the night class (Geri McCormick, a stunning painting of Corn Hill called “Dog Walker” by Leo Dodd and this gem by Peggi Fournier.)

When you get over to the Matisse show stop in the downstairs gallery and check this out.

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End Of The World As We Know It

"When We Were Young" "Contemplation" by Margaret Explosion. Recorded live at the Little Theatre on 11.20.13. Peggi Fournier - sax, Ken Frank - bass, Bob Martin - guitar, Jack Schaefer - bass clarinet, Paul Dodd - drums.
“When We Were Young” “Contemplation” by Margaret Explosion. Recorded live at the Little Theatre on 11.20.13. Peggi Fournier – sax, Ken Frank – bass, Bob Martin – guitar, Jack Schaefer – bass clarinet, Paul Dodd – drums.
Listen to When We Were Young by Margaret Explosion

Who knows what tomorrow may bring. As far as we know tonight is our last night at Café. Christmas falls on a Wednesday this year and no schedule has been announced for next year.

Bill Coppard owned the Little Theater when we first started playing in the café and for over ten years we have felt very lucky to do what do in this magical space. Minimal amplification for guitar and sax, acoustic bass, bass clarinet, drums and occasional grand piano. No pre-planned sets of music, no songs in fact until we play them for the first and last time. A low wire trapeze act bolstered by the belief that it is never as good as the first time.

“When We Were Young” was recorded two weeks ago at the Café. Peggi says the cover may be an early “selfie”. As usual the song is a free download. We have almost 200 of them on our site. We hope you can stop by the Café tonight. We’d love to see you.

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Long Live Colorblind

The Center for Youth Services on Monroe Avenue provides counseling, shelter and education to homeless kids in the Rochester area. The late Chuck Cuminale (aka Colorblind James) worked there and it is only fitting that a tradition Chuck started twenty seven years ago would be now be a benefit for the Center. Hunu, with core members of the Colorblind James Experience hosts guests performing Bob Dylan songs on or near Bob Dylan’s birthday which was cosmically near Dylan-soul-mate Chuck’s own birthday. I had the pleasure of accompanying Peggi Fournier last night on a rousing version of “She Belongs To Me.” Russ Lunn caught the performance on his cellphone.

June 3rd Correction: I just learned that Saturday’s show was not a benefit. The proceeds from this show pay Hunu’s studio rental for the whole year and allows them to do the big benefit they do at Christmas for the Center.

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From Peggi To Charlie

Peggi Fournier watercolor in Rochester Contemporary Members Show 2012
Peggi Fournier watercolor in Rochester Contemporary Members Show 2012

Some years ago our friend, Duane, met Charlie Watts at a book signing in a Manhattan. Duane bought a copy of Charlie’s book, “From One Charlie To Another,” for us and had Mr. Watts autograph it. The illustrated book was a tribute to Charlie Parker and I think I still have it but I just spent twenty minutes trying to find it. Anyway, Duane nervously snuck a picture of Charlie Watts, shooting from the belt, and it looks like Charlie spotted the camera because he is looking right at it. The photo is awkwardly cropped but that became a quality and Peggi did a watercolor based on the photo and submitted it the 22nd Annual Members Show at Rochester Contemporary.

The opening was last night and the place was mobbed, so crowded we couldn’t find Peggi’s art on the walls. Each time we took a few steps we would be sort of trapped in conversation and we were way in the back when director, Bleu Cease, made the big announcement about RoCo having bought the building. Someone had already spilled the beans on that one so we were just sort of stuck in the crowd. When the festivities ended I worked my way to the front and spotted Peggi’s piece on the front wall next to Lorraine Bohonos’s, Heather Irwin’s and Anne Haven’s work.

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Untitled

Two of Peggi Fournier pieces submitted to the Six by Six Show at Rochester Contemporary
Two of Peggi Fournier pieces submitted to the Six by Six Show at Rochester Contemporary

I know which pieces I’m going to be scrambling for when they open the cash registers at the upcoming 6 by 6 show at Rochester Contemporary. My only problem is that I can’t decide which piece I like most of the two mixed media pieces that Peggi Fournier submitted.

I parked around the corner from RoCo and was cutting across the Episcopal Church property as the bells chimed five o’clock, the official deadline. I had to fill out duplicate forms for each of Peggi’s pieces and the ten of mine, twenty four in all. My crime faces all had the same name so I swung a deal with the girl there make copies of the first one. Peggi’s pieces were untitled so I left the space provided for “title” blank thinking that “Untitled” would actually be a title.

On my way out I noticed someone sitting on the sidewalk sketching the church on a six by six inch board.

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