John Travolta in John Carpenter’s “Blow Out.” Personal Effects is the name of his video company.
We worked our way through three Criterion Collections of Noir movies and we just dove into one called “NeoNoir.” We started with Brian DePalma’s “Obsession” (thumbs down) and then “Blow Out.” We had seen this one in the theater. Bob Martin had just joined our band, formerly the Hi-Techs, and we were looking for a band name. Bob was with us in the theater and we all looked at each other when John Travolta opened the door to his film studio. Travolta’s character witnesses the assassination of a governor who is running for president and enters a tangled web of conspiracy.
The activities of a bullied Pennsylvania kid with his dad’s firearm and the many articles on Shelley Duval that we’ve read in the last week put Robert Altman’s “Nashville” on our “Up Next” list. We saw that in Toronto when it first came out. Interesting watching it with a theater full of Canadians. I remember people smoking cigarettes all around us. We saw “3 Women” in NYC and left the theater feeling as if we had had an out-of-body experience.
Don’t you hate it when politicians tell us, “This is not who we are?”
Captain Beefheart drawing at Red Creek in Rochester, New York in 1977. Photo by Greg Prevost.
I digitized some vinyl the other day. I go tape out of our stereo amp into Quicktime on our laptop and then edit it in Audacity. One of the things I digitized was an old Personal Effects 45. Peggi’s voice and sax sounded too high. Peggi got her sax out to play along and we confirmed that our turntable runs fast. We changed the pitch by -110 cents and it came out fine.
Brad Fox sent me a 33 1/3 book on “Trout Mask Replica” and I’ve been reading that and thinking about the cassette recording I made of Captain Beefheart at the Red Creek in Rochester in 1977. I remembered Beefheart saying something nasty about Drumbo (aka John French) between songs. And of course there are a lot of quotes from Drumbo in the book, some of them lambasting Beefheart. So I got an old cassette deck out of the basement and put the tape in but the deck wouldn’t go into play. It was just sort of froze in the eighties. Luckily we had another old deck down there and I transferred the tape. I posted one of the songs below with the quote from The Captain. You can hear Brad Fox scream as the band begins this song.
I remember there was some dreadful magic act (someone saw Magic Band and thought why not?) that went on first and there were two shows. We went to the second. I still have the ticket. When we got there Greg Prevost (Chesterfield Kings) and Carl Mack’s (Zenith Effluveum get compared to MX-80 in this review) were interviewing The Captain in the parking lot. I think Kevin Patrick’s wife, Corrine, took this photo of him and gave me a print. The stage was still in the front of the room there. The Captain mentioned the the chocolate pie that owner, Jeff Springut, gave him before the show. The band was amazing and included Jeff Moris Tepper, Eric Drew Feldman, Denny Walley and Robert Williams. They faithfully recreated the older material and went on to record “Doc at the Radar Station”.
When David Greenberger was here he was telling us that he was in a Boston band in the eighties called Men & Volts and they did Beefheart covers and Beefheart-like material. I told him about seeing the Trout Mask Replica tour in Columbus at Ludlow’s Garage with Hampton’s Grease Band and the Screaming Gypsy Bandits opening. And he said he was talking to the Bandit’s Mark Bingham in New Orleans about doing a project. And then along comes this little book from Brad.
Captain Beefheart performing at Red Creek in Rochester, New York in 1977. Photo by Greg Prevost.
Bruce Fowler was also on the Bat Chain Puller lp and by another coincidence we just saw him playing in the band that appeared throughout Robert Altman’s “Short Cuts”. We’ve been watching the entire Altman catalog in order but have been breaking it up with other stuff. It took us three nights to watch that one because I kept falling asleep. So each time we came back to it we re-watched large portions. There is such a large cast in this one and all these interweaving stories that it worked well in small doses. Tom Waits’ character hangs out in this bar where Annie Ross from Lambert, Hendricks and Ross sings with Terry Adams from NRBQ on piano and Bobby Previte on drums and Bruce Fowler on trombone.
Here is my recording of Captain Beefheart Live at Red Creek in Rochester, NY
Ontario Beach is thawing. We watched big chunks of ice break off and float away. I was almost like being in Antarctica.
We have been doing a mini Altman fest in our living room. We added most of his movies, in chronological order, to our NetFlix cue and last night it was Mash’s turn. This wild movie is nonstop action without hardly anything happening. The tv show did not do it justice and there is no way that it could. It’s only worth noting because the movie is a near masterpiece.
